Back Josh Wink - Herehear (Progressive Electronic Beats) *****
Josh Wink's first album released on his own label, Ovum Records, in 1998, rocks the millenium! Josh Wink is a musical Chameleon. Without any respect he mashes House, Big Beats, Drum & Bass, Trance and extremely insane Electronic sounds in his very own style. Josh Wink has created music for the forthcoming millenium; but he seems not even to care about it. If You turned the volume of tracks like "Black Bomb" (track 5, vocals and additional noise by Trent "Nine Inch Nails" Reznor) or "Are You There..." (track 10, known from MTV's night rotation...) up enough, Your mother would think a 24dB- highpass filter with a ring modulation unit had been implanted to Your brains by a bunch of loathsome aliens... This music is progressive. So progressive that You will like it at once - or You will start belching after the first Wink-wobbled tones.

Weird-filtered and extremely raw modulated beep- and sawtooth-sounds wind around straight, not too fast 4-beats, carried by dark, repetitive basslines in the more house-oriented tracks like "Back In Tha' Day" (track 2) or "Ah, Git Up" (track 8). But Mr. Wink can also do it different: "Young Again" (track 6, a smooth Bristol drum & bass track) and "I'm On Fire" (track 7, a melancholic trip-hop track - I hate this description...) are athmospheric pieces of true music, nicely enriched by Hershel Gaer (bass), John Wicks (guitar), Elliot Levin (sax) and Caroline Crawley (vocals), and stylistycally wide apart the more housy tracks of the album.

This state-of-the-art mixture makes Herehear unique and different. The variety of styles could rock every party and does not seem to become boring in a short time. If You like it - anyway, test it! -ih 5/99

The Verdict: Josh Wink has truly hands of gold!

Check those tracks: "Back In Tha' Day", "Black Bomb", "Young Again", "Ah, Git Up", "Track 9"


Herehear Cover
Josh Wink- Herehear, 12 Tracks, ca. 70 min.
- For peakin' music junkeez, House wives and other modern people -

Ovum
S3 487 407 2

Review "United DJs of America - Josh Wink" hier!


Back The Crystal Method - Vegas (Big Beats) ****
There's something You should know: The Crystal Method are cool, phat and from the U.S. Eh, what's special here? Well, some people might discover now, that phat beats need not necessarily come from British industrial towns - the sunny L.A. breeds an own lot of Big-Beat-Freakniks, and the coolest (most successful...) of all them are The Crystal Method!

Their 1997 release "Vegas" seems to be a perfect example for the US definition of Breakbeats: The beat is pumpin', the filters are mocking, the synths are screaming and Your speakers are on the edge of explosion. Over the years The Crystal Method have created their very own phat style, which is comparable in innovative power to the USA as the style of the Chemical Brothers innovated Europe. Just look at the fast-growing catalogue of Californian label City of Angels (You could reach them at Moonshine Music), who have published a lot of interesting Breakbeat records with American offspring, e.g. like the stompin' Funkydesertbreaks - review here). The Crystal Method have now signed on SONY, but, for God's sake, they still stick to their genuine style. I mean: Some parts of "Vegas" could greatly support Your next block party and some parts could even do more. Intelligent arrangements, unsuspected turns of action and real melodies make this record outstanding. There's "Cherry Twist", for example, which suspiciously sounds like Techno, and the two-tracks-later "Comin' Back" reminds me of Garbage, who really should have listened to this track before they had made their "V2.0" - The Crystal Method are a better Garbage! Not at least, "Vegas" contains the three hits "Busy Child", "Keep Hope Alive" and the brilliant cooperation with Filter, "(Can't You) Trip Like I Do" (taken from The Spawn OST). "Vegas" is a good record from the first minute to the last second. Come back for more! We're waiting... -ih 10/98

The Verdict: Out of sight

Check those tracks: "Comin' Back", "Vapor Trail", "(Can't You) Trip Like I Do"


Vegas Cover
The Crystal Method - Vegas, 12 Tracks, ca. 72 min.
- For crystally influenced people -

SONY Music/S2
VEGCDX1
01-488863-12


Back E-Z Rollers - Weekend World (Drum & Bass) *****
Brittannia's melodic Drum & Bass mavericks Alex Banks and Jay Hurren set the tone for years with famous names like "Hyper On Experience", "JMJ & Richie" and... guess what: "E-Z Rollers". The secret of their ongoing success might be the complexity and intelligence of their arrangements, which also sounds far less contracted than other British publications by ceartain guys with gold teeth...

"Weekend World" is the Roller's recent album, and it gave me right in all points. A well-balanced mixture of styles, acoustic and electronic sounds make this record the opposite of being boring. Side by side one could listen to genuine Drum & Bass, trippy and souly Rhodes tracks, relaxed Downbeats or in-style vocal tracks. Alex and Jay are pros like no others: Each day You could discover new, unexpected shades in each single one of the 18 tracks. It's always "E-Z" and could be a classic from today on! One could not make it better.

What we have here, in fact 80 minutes of rolling E-Zness, arouses an imagination of sunshine, chilled cocktails and hot nights spinning around the clubs - all things we Germans are lacking of in our beautiful summer months..... -ih 10/98

The Verdict: A nice mixed bag

Check those tracks: "Tough At The Top", "Short Change", "Walk This Land" (Remix)


Weekend World Cover
E-Z Rollers - Weekend World, 18 Tracks, ca. 78 min.
- For E-Z People -

Moving Shadow
ASHADOW 12CD
LC 6110


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